
Of all the new pilots this season Fringe was probably the one I anticipated the most. Now that I've watched it I'm feeling three emotions at the same time: disappointment, excitement and uncertainty. I'm going to try to explain my position, but I'm not sure I will be able to. It's so hard to review pilots and it hasn't gotten easier since last year. There will be spoilers ahead, so be smart enough to stop reading if you don't want to know what happens in the first episode.
What's it about?A television drama centered around a female FBI agent who is forced to work with an institutionalized scientists in order to rationalize a brewing storm of unexplained phenomena.
What's good?I think it's needless to say that the show looks extremely sophisticated on a visual level. We've been told that the pilot cost 10 million dollars and the viewer can definitely see that, beginning with the opening sequence in the airplane and ending with the dynamic car chase near the conclusion of the episode.
When you hire Joshua Jackson and Lance Reddick you don't need to worry about the acting. It's bound to be superb. However, the real star of the show is Anna Torv, who I've never heard of personally, playing the main character Olivia Dunham.
I've mentioned the first scene of the pilot before, but I need to elaborate the brilliance a little bit further. We start off in a plane. Some people might think they turned on ABC's Lost until everyone on the flight starts to decompose (yes, it's that ugly) and you realize that things are starting to get interesting. My favorite moment of the episode is when the co-pilot turns around so we can see the lower half of his face fall off. It's trashy and cool at the same time.
Last but not least Fringe keeps a good balance between science fiction and fantasy/mystery. Some hardcore scientists might be turned off by the dream sharing scene (which was a little bit over the top, now that I think of it), some amateur elves and X-Files fanatics will probably be disappointed by the large amount of scientific gibberish. Fortunately, I'm neither one of those and if you don't take those kinds of things too seriously, you will find yourself enjoying the ride.
What's bad?Before I go on with the really bad things, I'd like to mention some of the minor problems I noticed during the pilot. First of all - is it so hard to get German extras in the US? I'm sure there's more than enough German actors available. It really takes away some credibility if you have to listen to some American amateur actress uttering something that's supposed to be related to the German language. If you can't do it right, don't do it at all. Also the "opening credits" (really, you can't call them like that, because they're so short) look ugly. I think that design is vital for the persuasiveness of a show, especially when it's as expensive as Fringe. I also don't like the lettering that keeps us up to date where exactly the characters are right now. I prefer the good old captions at the bottom of the screen. Like I said - these are the minor issues I had with the pilot.
The key problem of the first episode is the fact that I, as a viewer, have no idea where the show wants to take me. After watching the pilot I feel lost. There's not enough material to keep me hooked. I have no desire whatsoever to find out what happens next. You get the impression that you've just watched eighty minutes of a show and that it's over now. I don't really get how the writers are intending to transfer the events of the pilot into the overall season arc. Sure, there have been some indications near the end, but that's not enough for me. The pilot seems to imply that the first seventy minutes are pointless and that you've been cheated. At least that's how I feel.
As much as I love Joshua Jackson I am sorry to say that his character seems to be one of the major disturbing factors in the pilot. Not that he's not charming - he is, very much so. Unfortunately the writers wanted to include some comical elements in a generally serious matter. What they achieved was to turn Peter into a snappish, arrogant and repetitive parody of himself. I have no doubt that there's potential for him to grow and become more interesting, but I can only judge what I have seen, right? He just needs to stop being so goddamn skeptical all the time and I'm sure he will be fine.
Generally speaking the rest of the characters aren't too engaging, either. Olivia, the main character, sometimes acts more like a robot than a real person. The villain with the fake arm is more ridiculous than anything. Kirk Acevedo's Charlie is completely different than what I'm used to from the actor, which is probably why I have such a hard time to accept him as the good guy. Philip (Lance Reddick) and Dr. Bishop (John Noble) have interesting approaches, but there's still quite some work to do. As mentioned before Joshua Jackson's character has lots of potential, but Peter's portrayal in the pilot episode was virtually a disaster.
What's the bottom line?Despite all the excruciating issues I had with the pilot episode I'm very fond of the show. The thing is that I'm not sure if I really like it or if I just want to like it so much I overlook everything that turns me off about it. There's a lot of time until Fringe premieres in September, which gives me hope that the writers will take a look at the message boards, the blogs and all the other internet stuff to turn their show into something special. Right now it's just another J.J. Abrams show for me. A little bit of Lost, quite a bit of the X-Files and just a tiny bit of innovativeness ain't enough to keep me as interested as I am right now. You might say that I'm expecting too much from the prince of mystery drama (and I probably am), but damn, I have every right to be critical after J.J. has given us Lost.